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社会科学类纪录片,BBC 频道 2005 年出品。


Tales_From_The_Green_Valley_cover0.jpg


http://www.bbc.co.uk/programmes/b00mrtbv

  • 中文片名 :绿山谷故事集

  • 中文系列名:

  • 英文片名 :Tales From The Green Valley

  • 英文系列名:

  • 电视台 :BBC

  • 地区 :英国

  • 语言 :英語

  • 时长 :约 59 分钟/集

  • 版本 :TV

  • 发行时间 :2005

A hidden Welsh border valley provides the ideal setting for a fascinating documentative reality-experience, as a group of archaeological and history experts spend a year immersed in country life as it was 400 years ago, when King James I ruled the land. At the heart of the valley lies a remarkable farmhouse, a building that is being run just as it was in the year 1620. Without electricity, refrigeration, mains water, tractors or chemical pesticides, our group will live off the land, eating the period food they grow and wearing the period clothing they can create. We watch and share the drama and frustration as they cope with a plethora of natural challenges – with 400 year-old manuals as their source of knowledge. Each programme focuses on the a month in the life of the farm, following the seasonal tasks our team endeavour to carry out – from harvesting and building, to the birthing of calves and pigs, from salting and smoking meat to sheep shearing and garment making. The series is genuinely revealing about life in times gone by…

Twelve-part series in which five experts, archaeologists and historians take on the challenge of running a farm for a year as it would have been in the reign of King James I. Working without modern conveniences they try and turn theory into practice, rediscovering how things were done in the year 1620, with each episode following the tasks of a calendar month. To begin, the team use oxen to plough sow seeds by hand and prepare a Jacobean feast

Month two, and with the weather on the turn, the team need to build a cowshed to shelter their livestock over winter, using only tools and materials available from the time. It’s time to drive the pigs into the woods to fatten them up, and the pressure’s on to harvest the pears.

It is November, time to kill and process one of the specially-bred period pigs, a wild boar Tamworth cross. With winter coming the team accelerate their work on the cowshed by building a wattle and daub wall, and in the orchards it is the last chance to bring in the medlar crop.

December, their fourth month on the farm, means turning the clock back 400 years to celebrate Christmas in 17th-century style. They have to cut their own giant yule log, the centrepiece of period festivities, deck the place out with traditional decorations and celebrate with contemporary tipples. Getting ready for the Christmas day feast, it is all hands on deck cooking up a range of recipes from the age of Shakespeare, like mince pies with real meat in them. Through all this they have got to find time to tend the livestock, make some winter clothes, and build a period wood store - all using tools and materials that would have been available in the year 1620.

January marks their fifth month, and the very depths of winter. The team resorts to some period medicines to beat the aches and pains, boiling up and administering their own herbal oils and ointments. Following the advice of contemporary farming manuals, they head out into the coppice to manage their wood supplies, get in a professional hedge layer to help fix the boundaries and have a go at making their own 17th century-style ink. At the end of a hard day they tuck into a hearty dinner as it might have been 400 years ago, gammon pie and pease pudding.

February is the team’s sixth month on the farm. A heavy fall of snow turns it into a winter wonderland, but a storm has damaged their privy so they have got to rebuild one from scratch, and delve into waste management 17th century- style. Despite the cold they still have to look after the animal, which means checking up on the pregnant cows and bringing in their period variety of sheep for a thorough check-up. They get busy preparing for spring sowing, and a music specialist brings along an assortment of contemporary instruments to warm them by the fire. With Lent upon them, they have to try their hand at some 400-year-old recipes for fish and apple pudding

They are halfway through the project, with March being their seventh month on the farm. They get busy turning wheat into bread flour, threshing it energetically with some period flails and then winnowing it - throwing it up in the air to separate the grain from the chaff - using a replica basket. Then it’s off to a water mill to take the labour out of the ‘daily grind’. They have a go at making some March beer, play some period games, and yoke up some piglets to root up a field for spring sowing. It’s also time to overhaul the vegetable garden, and try out some contemporary dishes for Lent - salt cod and egg and pear pies.

April marks their eighth month, so they give the farmhouse a thorough spring clean, sweeping out the chimney with a holly bush and dusting out indoors with a period brush, a goose wing. The textiles need a good airing and bashing, and the team must quite literally change the beds. With the seasons accelerating, they crack on preparing a piece of waste ground for spring sowing: digging up the roots, burning them in pyres, and then turning the fertile ash back in with a good helping of muck. It’s also time to try their hand at 17th century dishes of veal and a peculiarly green omelette, at dry stonewalling, and in caring for a newborn calf

May is their ninth month and the team is behind with the spring sowing, so they get busy trying to cut straight furrows with a breastplough, before harrowing their peas. They try their hand at charcoal burning the old- fashioned way, at making straw rope with a wimble and at cooking up old-style bacon and eggs and a cheesecake.

It is June, and the team need to give the sheep a good wash in a local stream, warmed by a period potion called sheepwashers’ posset. Only then can they start shearing them by hand, a backbreaking task. In the dairy, the girls have a go at making cheese the old fashioned way, and the boys have to catch up with weeding the wheat field

It’s July and the team’s first task is to get out into the meadow and start making hay while the sun shines. They try making their own washing liquid from wood ash to get on with the laundry and they’ve got to get busy harvesting some of the 17th-century crops from the garden, such as red gooseberries, and roses to lighten the mood.

August marks the team’s final month and the biggest task is the wheat harvest. Everyone joins in, cutting it down with replicas of period sickles. It’s then bundled and dried before they can bring it in by horse. It’s also the season to make rush lights using sheep fat, and they’ve got to try their hand at geese wrangling


社会科学类纪录片,BBC 频道 2012 年出品。


Wartime_Farm_Christmas_cover0.jpg


http://www.bbc.co.uk/programmes/b01pgr4b

  • 中文片名 :战时农场: 圣诞篇

  • 中文系列名:

  • 英文片名 :Wartime Farm: Christmas

  • 英文系列名:

  • 电视台 :BBC

  • 地区 :英国

  • 语言 :英語

  • 时长 :约 59 分钟/集

  • 版本 :TV

  • 发行时间 :2012

Following the huge success of the Wartime Farm series - watched by over three million viewers a week during its eight week run - historian Ruth Goodman and archaeologist Peter Ginn are returning to Manor Farm in Hampshire to recreate the conditions of Christmas 1944. 1944 saw the sixth Christmas at war, and shortages were biting deeper than ever. Added to this, Britain’s cities were in the grip of the worst German attacks since the Blitz of 1940. Unmanned flying bombs - the dreaded V1 ‘Doodlebugs’ and V2 rockets - rained down, stretching morale and services to breaking point. Having been set the target of doubling home-grown food production by the government, Britain’s farmers had already ploughed up six and a half million additional acres in the drive for additional crops (an area equivalent in size to the whole of Wales). Now, in addition to maintaining food production, it fell to Britain’s farmers to come to the aid of the nation’s urban dispossessed in their hour of need. Many rural women joined the one million-strong Women’s Voluntary Service to provide food, drink and gifts to lift the spirits - especially at Christmas. Ruth finds out how the WVS operated the government’s National Pie Scheme. Beer was seen as so essential to the nation’s morale that it was never rationed - but a vital ingredient, barley, was in short supply, so substitutes were needed. Peter calls upon rural crafts expert, Colin Richards, to brew some improvised potato beer for Christmas. Meanwhile, Ruth comes up with innovative presents for children, and ingenious festive decorations made from scraps. Following recipes and guidelines issued by the government and the WVS, Ruth cooks an improvised Christmas meal, relying chiefly on rabbit and a glut of carrots from the farm. And the Salvation Army bring musical cheer to the occasion as the team reflect on the impact of what was to be the last Christmas of the Second World War.


社会科学类纪录片,BBC 频道 2012 年出品。


Wartime_Farm_cover0.jpg


http://www.bbc.co.uk/programmes/b01mmt8t

  • 中文片名 :战时农场

  • 中文系列名:

  • 英文片名 :Wartime Farm

  • 英文系列名:

  • 电视台 :BBC

  • 地区 :英国

  • 语言 :英語

  • 时长 :约 59 分钟/集

  • 版本 :TV

  • 发行时间 :2012

Historian Ruth Goodman and archaeologists Alex Langlands and Peter Ginn face up to the challenges of the biggest revolution ever seen in the history of the British countryside as they turn Manor Farm back to how it was run in the Second World War. When Britain entered the war, two-thirds of all Britain’s food was imported - and now it was under threat from a Nazi blockade. To save Britain from starvation, the nation’s farmers were tasked with doubling food production in what Churchill called ’the frontline of freedom’. This meant ploughing up 6.5 million acres of unused land - a combined area bigger than the whole of Wales. Due to audio problems with the last upload of this release , i have re-done it from the DVD , SO THIS IS A NEW UPLOAD

In this first episode, the farmers find themselves in a new location, a new time period and with a new team member. There is a new farmhouse to modernise, strict new rules to abide by and air raid precautions to contend with. The team begin by reclaiming badlands to grow new crops. Peter works with a blacksmith to design a special ‘mole plough’ to help drain the waterlogged clay fields. Ruth and Alex get to grips with a troublesome wartime tractor - and must plough through the night to get the wheat crop sown in time. On top of farmers’ herculean efforts to double food production, their detailed knowledge of the landscape also made them ideal recruits for one of the war’s most secret organisations - the ‘Auxiliary Units’, a British resistance force trained to use guerrilla tactics against German invasion.

The team tackle the conditions faced by British farmers in 1940, when the full impact of rationing took hold and which also saw Britain face the onslaught of Nazi bombing in the Blitz. Ruth finds out how about the impact rationing had in the kitchen as food became strictly limited - and also explores the temptations of the black market. Alex and Peter are confronted with vastly reduced supplies of feed for the animals, so attempt a method encouraged by the government: making “silage”. This involves not only finding alternatives sources of feed to store for winter, but also creating a container to store them in. And for this they find out how the Women’s Land Army could be of help. Along they way, they also discover how racial prejudice reared its ugly head during Land Girl recruitment - only to be overcome by the actions of a local farmer. Ruth goes on a canning drive - gathering fruit to preserve and donate to the war effort - with the local Women’s Institute.

The Blitz resulted in one of the biggest mass movements of people in British history as three million city dwellers fled to the countryside. To make outbuildings habitable as refugee shelters, Alex and Peter resort to the age- old craft of making tiles by hand - which means camping out for two days and nights in freezing cold to tend the tile-making kiln. They are visited by a 94-year-old conscientious objector who was conscripted as a farm labourer because he refused to fight on religious grounds. Ruth gets involved in the work of the Royal Observer Corps, who often enlisted farmers in the work of spotting enemy planes. Alex and Peter also learn how to set up ‘decoy fires’ to lure German bombers off target, a project known as Operation Starfish. With December approaching, the team look forward to celebrating Christmas 1940-style. People were understandably eager to put the horrors of war behind them - if only for a day - but this was the first Christmas under rationing and compromises had to be made. Alex looks at government solutions to the national ’toy shortage’, whilst Peter discovers that soap had become the nation’s favourite Christmas gift. With turkeys few and far between, Ruth cooks up an alternative - known as ‘mock turkey’ or ‘murkey’ - made from apples, onion and a dash of sausage meat, with a pair of parsnips for legs

The team discovers that Wartime Farmers could lose everything - their home and their land - if the government did not think they were productive enough. Over 2,000 farmers deemed ’not good enough’ were thrown off their farms during the war. Ruth, Peter and Alex face a World War Two-style government inspection, meeting an expert who tells them to grow and to get their milking operation up and running. In the process they confront the wave of mechanisation that government regulation brought to wartime farming, grappling with a new tractor and getting to grips with a milking machine. Yet they are dealt a bitter blow with the loss of a prime dairy cow. Peter also launches a rabbit-breeding concern and they take in the latest release from the Ministry of Information, who made films urging farmers to use the very latest techniques in the fields. The team also discovers the chilling story of a local farmer who lost his life in a dramatic shoot-out with the police after the authorities tried to remove him from his farm for failing to meet his required targets With their hard work completed the inspector returns to judge the state of the farm and award them their all-important official ‘grade’ - determining whether their efforts have been a success or a failure.

The Wartime Farm team tackles the conditions faced by British farmers in 1942, when Hitler’s U-boats continued to attack British ships, slashing imports and inflicting massive shortages on the country. Ruth finds out how Britain coped with shortages of the wood vital for the war effort in the building of aircraft, ships and rifles, as well as pit props for crucial coal mining. With her daughter Eve, she travels to the New Forest and discovers how women known as ‘Lumber Jills’ were drafted in to fell trees in the Women’s Timber Corps. Also in this episode, the boys revert to a Victorian solution to the shortage of animal feed - using traditional horsepower to operate a root slicer - whilst Ruth sets up an Emergency Feeding Centre. Subsidized by the government to provide cheap food off ration for air raid victims, these ‘British Restaurants’, as Churchill dubbed them, quickly caught on. Eating out had traditionally been the preserve of the upper class and most ordinary people had never eaten in public before - many even felt embarrassed at the prospect. The ‘British Restaurants’, envisaged as a short-term response to food shortages, made a lasting change to the nation - introducing the concept of high street dining for the masses.

The Wartime Farm team tackle the conditions faced by British farmers in 1943, when food imports slumped to their lowest level during the war. The government feared a crisis and after four long years at war, Britain’s farmers were challenged with somehow increasing food production yet again. There were renewed shortages of animal feed so Alex and Peter resort to producing a hay crop from grass in the church yard and use some clever 1940s technology to get the job done. With tasks mounting up on the farm, the team turn to a popular source of additional wartime labour - children. Children’s harvest camps were set up by the Ministry of Agriculture to release kids from school during periods of urgent need on farms, and over 70,000 pupils took part, paid six pence an hour to avoid accusations of exploitation. Ruth enlists eager child labour to collect herbs that were desperately needed by the pharmaceutical industry to make medicines during the war. But once the job’s done, she has to feed them. Ruth discovers the methods women used to look good despite the restrictions of rationing. After making a new dress from old flour sacks, she gets a makeover from a pair of wartime hair and beauty experts. While Peter is getting to grips with a vintage hay baling machine, Ruth and Alex attend a party at the village hall, where they experience a new dance phenomenon brought to Britain by African-American GIs, the jive.

The team face the farming conditions of 1944, when Britain had been at war for five long years and the fields surrounding Manor Farm filled up with thousands of troops as the Allies assembled the largest naval task force in history for the D-Day landings. Farmers did their bit by growing vast amounts of flax, which was used to make parachute webbing, fighter aircraft fuselages, tents and ropes, with production in Britain increasing from 1,000 acres to 60,000. But the wettest summer for a century has devastated the crop at Manor Farm, and if Alex and Peter are to save it they must take drastic action. The war brought farmers face to face with the military as never before, and artist Leo Stevenson follows in the footsteps of the war artists commissioned by the government to capture the wartime landscape on canvas. As D-Day drew ever closer, 3.5 million troops packed into southern England. Foreign troops formed close bonds with the locals, drinking together and playing games. The team recreate a baseball game that the Americans played here in 1944 and conclude that the villages of Britain had never been so vibrant.

The team face the conditions of 1945 and prepare to tackle the most crucial event of their farming year: harvesting the wheat crop. They grapple with weeds, one of the wettest summers in memory and wartime machinery to bring the crop home, but take a giant leap into the modern era with the arrival of a 1940s combined harvester. As ever, on the wartime farm the goalposts are constantly moving. The team discover that as the conflict drew to a close, the need for home-grown food became greater than ever. Exploring countryside memories of VE Day, they discover how pressure on farmers increased throughout the final dramatic year of conflict. Victory in Europe meant that Britain had to share the responsibility for feeding populations across the war-torn continent whose food supplies had been devastated. On top of that, as soon as the war ended, American aid stopped. The financial cost of war left Britain bankrupt and struggling to afford imports, leading to a burden on farmers that remained long after the war finished. Rationing lasted well into the 1950s. As a fitting send off, the team celebrate the harvest with a ‘Holiday at Home’ - inspired by a government scheme to encourage exhausted workers to make the most of time off without travelling anywhere. Alex has a surprise up his sleeve to make the party go with a bang, as the team prepare to leave the Wartime Farm.


社会科学类纪录片,BBC 频道 2010 年出品。


Edwardian_Farm_cover0.jpg


http://www.bbc.co.uk/programmes/b00w15jc

  • 中文片名 :爱德华时期农场

  • 中文系列名:

  • 英文片名 :Edwardian Farm

  • 英文系列名:

  • 电视台 :BBC

  • 地区 :英国

  • 语言 :英語

  • 时长 :约 59 分钟/集

  • 版本 :TV

  • 发行时间 :2010

Following the hugely successful Victorian Farm, archaeologists Alex Langlands and Peter Ginn and domestic historian Ruth Goodman return to experience life on an Edwardian farm. Setting up home at Morwellham Quay, in Devon, the intrepid trio have to get to grips with the trials and tribulations of life at the turn of the 20th century. From investigating the impact of water-powered machines and the world’s first tractor, the team engage in a whole host of challenging activities, delving into Britain’s rural heritage once again to unearth how Edwardian farmers recovered from the agricultural depression leaner, fitter and more diverse than ever before.

In September they begin with the basics. They set up home in one of the cottages, where the first task - after cleaning - is unblocking the chimney so they can get the range working in order to cook. They prepare for the arrival of their first livestock - a flock of sheep and a ram called Cyril, and Ruth cheers up the cottage by making a rug out of rags. And she cooks her first meal on the range - a sheep’s head stew. Alex builds a hay rick to store feed for the animals over winter; while Peter heads to Bodmin moor to carve a stone feeding trough. And they must plant crops. The high acidity of the soil makes it infertile for growing crops, so the top priority is neutralising the acid with fertilizer - and for this they must make deadly quicklime. They will need literally tonnes of the stuff. It is a hazardous and gruelling - but essential

  • job.

In October, the Edwardian farmers branch out into new ventures like market gardening, all-year-round egg production and beef cattle. After acquiring a beef herd, the team bring in a bull. They also begin training the shire horses for a year of work in the fields. And they take on a pair of goats who prove to be more than a handful at milking time. Morwellham Quay’s market gardens were once one of the nation’s largest producers of strawberries, until abandoned half a century ago. Now the team attempt to bring them back to life. Cider was a vital part of the Edwardian rural economy, so Alex and Peter attempt to follow in this tradition by making it on an industrial scale - using an Edwardian cider press and a ton of apples. Ruth preserves supplies for the winter: she pickles apples, salts a ham and smokes bacon. Peter visits a cooper and learns how to make a barrel, and Alex launches a chicken enterprise. Finally they see in the winter with Halloween - Edwardian style.

It’s November and to prosper as Edwardian farmers, Alex, Peter and Ruth need to get to grips with the technologies of the age and use Edwardian science to set up an exciting new venture on the farm. Alex and Peter want to grow oats, essential as feed for their livestock, and potatoes, a reliable source of income. But first they must plough the land. Most Edwardian farmers still relied heavily on horse power, but new technology was on the horizon. A travelling salesman makes a dramatic entrance bringing a piece of the sate-of- the-art machinery from the Edwardian age - the world’s first tractor, the Ivel. Ruth prepares for the arrival of the farm’s pigs by restoring the farm’s pig sty privy - an ingenious construction combining a pig sty with a lavatory so that pig waste and human waste could be composted in one place. After introducing the pigs to their new home, Ruth grooms them. Peter embarks on building a trout farm and populating it by using revolutionary fish-breeding techniques that were new to Devon’s Edwardian farmers. And Alex wants to maintain the farm’s hedgerows - but first he’ll need to learn how to forge a Devon bill-hook using water-powered technology. After all their hard work, Ruth cheers the team up by making sloe-gin and acquiring an Edwardian musical novelty - a gramophone

It’s December and, as winter sets in, Alex, Peter and Ruth face the challenge of earning a living in one of the hardest months of the year. They’ll have to profit from their livestock, leave the farm in search of part time work and head to the coast to reap the ocean’s bounty. With poverty rife in the countryside, Edwardian farmers often had to find additional work away from their land. Alex and Peter follow in the footsteps of Tamar Valley farmers who traditionally took advantage of living between the North and South Devon coasts to profit from the county’s other great industry - sea fishing. Ruth follows the growing number of Edwardian women who entered domestic service. She goes to a grand Edwardian stately home, Lanhydrock House, where she encounters luxurious novelties such as running water, electric lights and even prototype vacuum cleaners. But when Alex and Peter have little luck on their sea-faring, fishing expedition, Ruth has to prepare a poor man’s Christmas lunch

Archaeologists Alex Langlands and Peter Ginn go down a copper mine, just a few hundred yards from their cottage, which was once the major source of Morwhellam Quay’s wealth. In the 19th century the largest deposit of copper in Europe was discovered in Devon. And the mining industry made Morwhellham the busiest inland port in Britain. In the latter half of the century rising costs and cheap foreign imports put the copper mining industry into decline. But resourceful Devon farmers found other ways to extract income from copper - such as ‘fossicking’ (literally scavenging by breaking up rocks overground) and building precipitation tanks which extracted copper deposits from the water which flowed out of the mines. Meanwhile historian Ruth Goodman learns the art of lace-making, visiting the town of Honiton which became world famous for its lace, renowned for its beauty, delicacy and intricacy. Once half the inhabitants of East Devon were lace-makers. The boys also go tin mining in Cornwall, an industry which survived until the end of the 20th century when the last mine closed in 1998. But it’s a gruelling trade, full of risks. They drill blast holes by hand and get to grips with tools such as the grimly nick- named ’the widow-maker’.

It is February and archaeologists Alex Langlands and Peter Ginn and historian Ruth Goodman approach the half way point in their year on the Edwardian Farm. To mark the occasion this episode explores one single day in a typical Edwardian farmer’s life. Incorporating a remarkable cache of letters written in the 1900s in a cottage at Morwhellham Quay, ‘A Day in the Life’ reveals the hidden stories of how ordinary rural Edwardians got by. We see how Edwardians prepared for the day when they got up in the morning - from struggling into a corset and Edwardian hair-styling to shaving and what they used to brush their teeth. Through the day we follow the team’s routine - managing the animals; re-stocking the feed-store; tending the land; caring for an injured goose that’s been attacked by a fox; going shopping; receiving a visit from an eccentric travelling salesman; and a football match against the Plymouth Argyle legends played under strict Edwardian rules - which means no off-side, no red or yellow cards, and wearing very, very heavy boots. And in between, of course, there’s breakfast, lunch, dinner and a visit to the local pub to round-off the day

It is March and Ruth Goodman, Alex Langlands and Peter Ginn greet the long- awaited arrival of spring. It is time to bring in the daffodil harvest. During it’s heyday in the early 20th century, the Tamar Valley was the largest producer of early daffodils in Britain - the result of the region’s mild climate combined with the arrival of a railway, which meant produce could be delivered to towns and cities across Britain within hours of being picked. The team takes their daffodil crop to the train station and gets to grips with the workings of the Edwardian steam-powered railway system. Ruth’s daughter, Eve, arrives on the train to spend Mothering Sunday on the farm - an important occasion in the Edwardian calendar. For the many daughters who worked away in service, it was the only time in the year when they could get time off to return home. Alex and Peter fertilize the potato crop - which requires 10 tonnes of well-rotted horse dung. They also go up to Dartmoor for the annual pony trek - a time when wild ponies on the moor were rounded up. They select a new pony for the farmThe pony needs training before he’s fit for work and Mike Branch, a specialist trainer from Tennessee, arrives. He’s following in the footsteps of American farmer John Solomon Rarey, who in the 19th century found fame and fortune in Britain with his revolutionary method of taming wild horses. Instead of ‘breaking’ the horse physically, he used the technique now known as ‘horse whispering’.. After a bumper daffodil harvest and having seen all the ewes successfully give birth to their lambs, the team are in high spirits for the celebration of Easter - which means feasting, a special church service and surprise for Ruth

It is April and the fishing season has arrived - a time when Devon’s ‘fisherman-farmers’ went to sea. Alex Langlands and Peter Ginn go to sea in an Edwardian trawler, hastily finishing repairs before setting sail. They master the singing of sea shanties as well as steering a wind-powered vessel and casting a net the old-fashioned way - but will they catch any fish? Women were considered bad luck at sea, so Ruth Goodman stays ashore. She forages on the sea shore and prepares potted shrimp. She also builds a smoke-house and smokes some mackerel. Peter and Alex drive their herd of cattle along a dangerous drove road to find new pasture and prepare for the birth of the herd’s first calf. Alex makes a coracle that Peter tests out on the pond; and Ruth explores one of the growing fashions of the Edwardian era by holding a séance.

It’s May and, with Empire Day approaching, a very special boat comes to the Valley. The paddle steamer, Monarch, is arriving: one of only three in the country that’s still operational. It’s the first time such a vessel has arrived at Morwellham Quay in 80 years. Back in the Edwardian period thousands of tourists began coming to the Tamar Valley by paddle steamer every summer. The combination of reduced working hours and greater mobility encouraged a new form of tourism - day-tripping. Workers from towns and cities like Plymouth flocked to rural spots like Morwhellham Quay for festivities. Local farmers cashed in on the visitors - selling them cream teas, fresh fruit, postcards and anything else they could think of - and also used the steamers to send their produce to market. So historian Ruth Goodman and archaeologists Alex Langlands and Peter Ginn pull out all the stops to put on a party for the tourists: they’ve got to milk a cow who has never been milked before; take lessons in traditional clotted cream making from the instructors at a ’travelling dairy school’; and learn to make a special Devon accompaniment to cream teas - the highly popular ‘cut round’ (a Devonshire version of a scone). On top of that, they must harvest their strawberries to get them to market on the paddle steamer They must also come up with more things to sell: drawings of the Tamar Valley, bouquets of flowers, and ice cream - not easy to make when you don’t have a freezer.

It’s June, and archaeologists Alex Langlands and Peter Ginn and historian Ruth Goodman head up to Dartmoor to discover the ways in which Edwardian farmers took advantage of this unique and spectacular landscape to add to their income. The team follows a flock of sheep up on to Dartmoor, where it was traditional for many shepherds to take their flocks for summer grazing. Alex and Peter get to grips with shearing, while Ruth takes the fleeces off to a wool mill to find out how it was processed and manufactured. Dartmoor was already becoming a popular tourist attraction, popularized by Edwardian celebrities - such as Sir Arthur Conan Doyle who made it the setting for his classic Sherlock Holmes crime thriller The Hound of The Baskervilles. There’s a visit from Rupert Acton - the team’s land agent during their previous Victorian Farm adventure - who arrives with his family in a vintage Rolls Royce. The team have a picnic with them before exploring Dartmoor using historic maps that enable them to follow an authentic Edwardian hiking trail.

It’s July and the team face their busiest month so far on the farm. It’s time to bring in the cherry harvest with the help of their Dartmoor pony Laddy, and enjoy a cherry feast to celebrate. Historian Ruth Goodman tries her hand at salmon netting, while archaeologists Alex Langlands and Peter Ginn take drastic measures to save their potato crop from being destroyed by blight. Alex goes to an Edwardian school room - complete with Edwardian discipline - to recruit a traditional rural source of cheap labour: children. Ruth learns how to make a bathing suit out of wool, and there is a rare opportunity for a day away from the farm, as the team go on a church outing to the seaside.

August brings the climax of the farming year - and the end of 12 months on the Edwardian Farm for archaeologists Alex Langlands and Peter Ginn and historian Ruth Goodman. The team must harvest their oat crop, but everything depends on the weather. Constant rain is making the job impossible. It is crucial to be able to predict when a dry spell will come so that they can be prepared to swing into action. They investigate ways of forecasting the weather and embark on creating a weather vane. Peter tries his hand at the art of repousse to make a copper cockerel for the vane, and the team heads for the woods to do a traditional charcoal burn in order to smelt iron for the compass points. When the rain finally clears, the team deploy the latest in Edwardian farming technology for the oat harvest - including a tractor that was then state-of- the art, the ‘Moghul’. And the event is captured by an Edwardian film crew - tapping into the very latest in Edwardian fads: the cinema. To celebrate the end of harvest, the whole town enjoys a grand fete sporting new innovations such as the electric light bulb, the latest threshing machines, the petrol- powered Lister engine and a genuine flying machine. The Edwardian era ended with an event that changed the countryside forever - the First World War. Michael Morpurgo, author of the play War Horse, comes to the farm to give Alex, Ruth and Peter an insight into the consequences. Although the human cost was dreadful, the growth of mechanization meant many rural areas had labour to spare. But over a million horses were also drafted into service - and only 60,000 came back - paving the way for tractors to finally replace horse-power. Farming would never be the same again.


Edwardian_Farm_screen1.jpg



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自然科学类纪录片,Others 频道 2012 年出品。


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  • 中文片名 :热带雨林的秘密生活

  • 中文系列名:

  • 英文片名 :The Secret Life of the Rainforest

  • 英文系列名:

  • 地区 :荷兰

  • 语言 :英语

  • 时长 :约 50 分钟

  • 版本 :DVD

  • 发行时间 :2012

本片纪录巴拿马运河流域热带雨林的多姿生态。

生活于此区域上层树冠的哺乳动物比例很大,如长臂猿、黑猩猩等在树冠与地面间搜寻食物,较大型哺乳动物如象、鹿、狮、豹等以叶子、落果或动物为食。地下穴居动物以蚁类最多,为清除枯落物起很大作用。巴拿马运河区在16平方公里竟发现2万种昆虫,而雨林中鸟类和蝙蝠不仅捕食昆虫,还与茎花传粉、附生植物传播等密切有关。

至今仍有许多动物和植物没有被人认识,更说不上了解其性能和用途。完全可以确认的是,热带雨林是全球生物基因最丰富的宝库,已被利用的仅仅佔非常微小的比例,例如巴西橡胶树、桃花心木、可可树等…。

它们只覆盖了地球表面的百分之六,但是他们有将近一半的植物和动物。热带雨林以其翡翠树冠上充满生命。随着雨林来养活这个物种多样性,一直是伟大的自然的奥秘。这个解决方案可以隐藏在一个小树林岛在巴拿马运河。


应用科学类纪录片,PBS 频道 2013 年出品,是 PBS Nova 系列之一。


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http://www.pbs.org/wgbh/nova/tech/killed-lindbergh-baby.html

  • 中文片名 :

  • 中文系列名:PBS新星系列

  • 英文片名 :Who Killed Lindbergh’s Baby

  • 英文系列名:PBS Nova

  • 电视台 :PBS

  • 地区 :美国

  • 导演 :Larkin McPhee

  • 主演 :Susan Sarandon

  • 语言 :英语

  • 时长 :54 min

  • 版本 :DVD

  • 首映时间 :2013

In the aftermath of his 1927 solo transatlantic flight, Colonel Charles Augustus Lindbergh–the Lone Eagle–became the most famous human being on earth. And when he and his lovely wife Anne produced an adorable baby son, Charlie, an eager press quickly dubbed him Little Lindy or sometimes just the Eaglet. But on the evening of March 1, 1932 Lucky Lindy’s luck ran out. Bold kidnappers snatched his baby from the family home near Hopewell, New Jersey, while everyone in the house was awake. Negotiations with the kidnappers stretched out for weeks. But Little Charlie never came back. His body was discovered not five miles from Hopewell. Now, NOVA is reopening one of the most intriguing, grisly, and confounding crime mysteries of all time as a team of expert investigators employ state-of-the-art forensic and behavioral science techniques in an effort to determine what really happened to Lindbergh’s baby and why.


自然科学类纪录片,PBS 频道 2012 年出品,是 PBS Nova 系列其中之一。


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http://www.pbs.org/wgbh/nova/space/ultimate-mars-challenge.html

  • 中文片名 :火星的终极挑战

  • 中文系列名:PBS 新星

  • 英文片名 :Ultimate Mars Challenge

  • 英文系列名:PBS Nova

  • 电视台 :PBS

  • 地区 :美国

  • 语言 :英语

  • 版本 :DVD

  • 发行时间 :2012

影片记录了负责好奇号漫游者登陆火星计划的科学家和工程师,还有未来会获得的伟大发现。


军事类纪录片,PBS 频道 2012 年出品,是 PBS Nova 系列其中之一。


Secrets_of_the_Viking_Sword_cover0.jpg


http://www.pbs.org/wgbh/nova/ancient/secrets-viking-sword.html

  • 中文片名 :维京宝剑之谜

  • 中文系列名:PBS 新星

  • 英文片名 :Secrets of the Viking Sword

  • 英文系列名:PBS Nova

  • 电视台 :PBS

  • 地区 :美国

  • 语言 :英语

  • 版本 :TV

  • 发行时间 :2012

骁勇善战的维京人一直是历史上最勇猛的民族之一,他们中的佼佼者更是佩有终极武器——一种由神秘工匠打造,领先当时技术一千年的剑,这种剑使用了一种几个世纪来不为人知的材料。这种剑被称为“沃伯剑”,关于它的设计,建造以及使用的秘密都已经失传,但今天,世界上最大的钢铁公司将和一位现代铁匠联手揭开它的神秘面纱。


应用科学类纪录片,PBS 频道 2013 年出品,是 PBS Nova 系列其中之一。


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http://www.pbs.org/wgbh/nova/military/rise-of-the-drones.html

  • 中文片名 :无人机的崛起

  • 中文系列名:PBS 新星

  • 英文片名 :Rise of the Drones

  • 英文系列名:PBS Nova

  • 电视台 :PBS

  • 地区 :美国

  • 语言 :英语

  • 时长 :54 min

  • 版本 :DVD

  • 发行时间 :2013

Drones. These unmanned flying robots–some as large as jumbo jets, others as small as birds–do things straight out of science fiction. Much of what it takes to get these robotic airplanes to fly, sense, and kill has remained secret. But now, with rare access to drone engineers and those who fly them for the U.S. military, NOVA reveals the amazing technologies that make drones so powerful as we see how a remotely-piloted drone strike looks and feels from inside the command center. From cameras that can capture every detail of an entire city at a glance to swarming robots that can make decisions on their own to giant air frames that can stay aloft for days on end, drones are changing our relationship to war, surveillance, and each other. And it’s just the beginning. Discover the cutting edge technologies that are propelling us toward a new chapter in aviation history as NOVA gets ready for “Rise of the Drones.”


自然科学类纪录片,PBS 频道 2013 年出品,是 PBS Nova 系列其中之一。


Oklahoma’s_Deadliest_Tornadoes_cover0.jpg


http://www.pbs.org/wgbh/nova/earth/oklahoma-tornadoes.html

  • 中文片名 :

  • 中文系列名:PBS 新星

  • 英文片名 :Oklahoma’s Deadliest Tornadoes

  • 英文系列名:PBS Nova

  • 电视台 :PBS

  • 地区 :美国

  • 语言 :英语

  • 时长 :约 53 分钟

  • 版本 :DVD

  • 发行时间 :2013

On May 20, 2013, a ferocious EF5 tornado over a mile wide tore through Moore, Oklahoma, inflicting 24 deaths and obliterating entire neighborhoods. It was the third time an exceptionally violent tornado had struck the city in 14 years. Yet predicting when and where these killer storms will hit still poses a huge challenge. Why was 2011—the worst ever recorded tornado season that left 158 dead in Joplin, Missouri—followed by the quietest ever year of activity prior to the Moore disaster? Can improved radar and warning technology explain why so many fewer died in Moore than in Joplin? And will tornadoes get worse as Earth’s climate heats up? In this NOVA special, we meet scientists in the front ranks of the battle to understand these extreme weather events. We also meet storm survivors whose lives have been upended and learn how we can protect ourselves and our communities for the uncertain future.